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Association for Recorded Sound Collections
United States
Приєднався 9 вер 2014
Founded in 1966, the Association for Recorded Sound Collections, Inc. is a nonprofit organization dedicated to the preservation and study of sound recordings-in all genres of music and speech, in all formats, and from all periods.
Find us at:
WEBSITE: www.arsc-audio.org
FACEBOOK: pages/Association-for-Recorded-Sound-Collections-ARSC/165687321898
LINKEDIN: www.linkedin.com/groups?home=&gid=3967774&trk=groups_statistics-h-logo&goback=%2Egmr_3967774
ARSC BLOG: www.arsc-audio.org/blog/index.php
Find us at:
WEBSITE: www.arsc-audio.org
FACEBOOK: pages/Association-for-Recorded-Sound-Collections-ARSC/165687321898
LINKEDIN: www.linkedin.com/groups?home=&gid=3967774&trk=groups_statistics-h-logo&goback=%2Egmr_3967774
ARSC BLOG: www.arsc-audio.org/blog/index.php
CHALLENGES IN THE DISCOGRAPHIES OF EARLY FEMALE GRAMOPHONE SINGERS presented by Suresh Chandvankar
The Association for Recorded Sound Collections presents the following program from its 2021 ARSC Conference, May 12-15, 2021:
CHALLENGES IN THE DISCOGRAPHIES OF EARLY FEMALE GRAMOPHONE SINGERS
presented by Suresh Chandvankar
In the early period of Indian gramophone records, over one hundred female singers have recorded prolifically on shellac discs. Most famous celebrities during 1902-30 were - Gauhar Jan of Calcutta, Zohrabai Agrewali, Jankibai of Allahabad & Malkajan of Agra & Calcutta. Although they recorded mainly with the gramophone company, recordings on other smaller labels are also found. These are Nicole, Pathe, Singer, Sun & Ramagraph records. Gauhar, Janki, Malka were the common names of female singers in North India and usually associated with the name of the places they lives in. But not all the labels use these names indicating their identity with the place or town they belonged to. This adds to the confusion while compiling their discographies. Very few catalogs of that period are preserved by Indian collectors and archivists. Michael Kinnear has published discographies of these celebrities in the magazine - The Record News and also posted on his website [bajakhana.com.au/]. New evidences and research shows the need to update the data obtained so far. In this talk I want to highlight some of the problems and difficulties in updating and re publishing the existing discographies, with a special reference to the discography of Malkajan of Agra & Calcutta.
THE ASSOCIATION FOR RECORDED SOUND COLLECTIONS (www.arsc-audio.org) is a nonprofit organization dedicated to the preservation and study of sound recordings, in all genres of music and speech, in all formats, and from all periods. ARSC is unique in bringing together private individuals and institutional professionals-everyone with a serious interest in recorded sound.
CHALLENGES IN THE DISCOGRAPHIES OF EARLY FEMALE GRAMOPHONE SINGERS
presented by Suresh Chandvankar
In the early period of Indian gramophone records, over one hundred female singers have recorded prolifically on shellac discs. Most famous celebrities during 1902-30 were - Gauhar Jan of Calcutta, Zohrabai Agrewali, Jankibai of Allahabad & Malkajan of Agra & Calcutta. Although they recorded mainly with the gramophone company, recordings on other smaller labels are also found. These are Nicole, Pathe, Singer, Sun & Ramagraph records. Gauhar, Janki, Malka were the common names of female singers in North India and usually associated with the name of the places they lives in. But not all the labels use these names indicating their identity with the place or town they belonged to. This adds to the confusion while compiling their discographies. Very few catalogs of that period are preserved by Indian collectors and archivists. Michael Kinnear has published discographies of these celebrities in the magazine - The Record News and also posted on his website [bajakhana.com.au/]. New evidences and research shows the need to update the data obtained so far. In this talk I want to highlight some of the problems and difficulties in updating and re publishing the existing discographies, with a special reference to the discography of Malkajan of Agra & Calcutta.
THE ASSOCIATION FOR RECORDED SOUND COLLECTIONS (www.arsc-audio.org) is a nonprofit organization dedicated to the preservation and study of sound recordings, in all genres of music and speech, in all formats, and from all periods. ARSC is unique in bringing together private individuals and institutional professionals-everyone with a serious interest in recorded sound.
Переглядів: 173
Відео
GRAMOPHONE CELEBRITIES presented by Suresh Chandvankar
Переглядів 376Рік тому
The Association for Recorded Sound Collections presents the following program from its 2021 ARSC Conference, May 12-15, 2021: GRAMOPHONE CELEBRITIES presented by Suresh Chandvankar THE ASSOCIATION FOR RECORDED SOUND COLLECTIONS (www.arsc-audio.org) is a nonprofit organization dedicated to the preservation and study of sound recordings, in all genres of music and speech, in all formats, and from...
MAKING THE CASE: WHY AUDIO PRESERVATION CAN'T WAIT
Переглядів 224Рік тому
The Association for Recorded Sound Collections presents the following program from its 2012 ARSC Annual Conference at Rochester Radisson Riverside, New York on Friday May 18, 2012: MAKING THE CASE: WHY AUDIO PRESERVATION CAN'T WAIT presented by Michael Casey, Marcos Sueiro Bal, Patrick Feaster, Chris Lacinak, and George Blood Many audio preservation practitioners believe that a 15 year window o...
MUSIC IS WHERE YOU FIND IT: JUKEBOX SHORTS OF THE 1940'S: presented by Mark Cantor
Переглядів 106Рік тому
The Association for Recorded Sound Collections presents the following program from its 2012 ARSC Annual Conference at Rochester Radisson Riverside, New York on Thursday May 17, 2012: MUSIC IS WHERE YOU FIND IT: JUKEBOX SHORTS OF THE 1940'S: presented by Mark Cantor, Celluloid Improvisations / Las Virgenes The amount of jazz, popular music and dance preserved on film is indeed astonishing. Among...
THE COLLECTOR AND THE RECORDIST: A NEW THEORETICAL FRAMEWORK FOR METHODOLOGIES OF SOUND RECORDING
Переглядів 57Рік тому
The Association for Recorded Sound Collections presents the following program from its 2012 ARSC Annual Conference at Rochester Radisson Riverside, New York on Thursday May 17, 2012: THE COLLECTOR AND THE RECORDIST: A NEW THEORETICAL FRAMEWORK FOR METHODOLOGIES OF SOUND RECORDING presented by Deirdre Chonghaile, University of Notre Dame Studies of recorded sound collections of music frequently ...
ELI OBERSTEIN: AND BY HIS LAWSUITS WE SHALL KNOW HIM presented by David J. Diehl
Переглядів 170Рік тому
The Association for Recorded Sound Collections presents the following program from its 2012 ARSC Annual Conference at Rochester Radisson Riverside, New York on Friday May 18, 2012: ELI OBERSTEIN: AND BY HIS LAWSUITS WE SHALL KNOW HIM presented by David J. Diehl Oberstein entered the record business through an accounting firm which was involved in restructuring the Columbia Phonograph Company an...
THE 35MM RECORD FAD presented by Tom Fine
Переглядів 366Рік тому
The Association for Recorded Sound Collections presents the following program from its 2012 ARSC Annual Conference at Rochester Radisson Riverside, New York on Saturday May 19, 2012: THE 35MM RECORD FAD presented by Tom Fine In the early 1960's, there was a brief fad in the LP record-album business: using 35mm magnetic film as the master recording medium. The albums were marketed as "ultra-fide...
BEYOND BEBOP: CONTEMPORARY CLASSICAL MUSIC ON DIAL RECORDS presented by D.J. Hoek
Переглядів 74Рік тому
The Association for Recorded Sound Collections presents the following program from its 2012 ARSC Annual Conference at Rochester Radisson Riverside, New York on Saturday May 19, 2012: BEYOND BEBOP: CONTEMPORARY CLASSICAL MUSIC ON DIAL RECORDS presented by D.J. Hoek Dial Records, established in 1946 by Ross Russell, is best remembered for its groundbreaking bebop recordings, especially those of C...
A NEW STORY ON AN OLD SUBJECT: THE PARADISE presented by Frans Jansen
Переглядів 74Рік тому
The Association for Recorded Sound Collections presents the following program from its 2012 ARSC Annual Conference at Rochester Radisson Riverside, New York on Saturday May 19, 2012: A NEW STORY ON AN OLD SUBJECT: THE PARADISE presented by Frans Jansen The story is told that the French record company Pathé used very large cylinders to make “master records” for disc production. After five years ...
TEX-MEX RECORDING PIONEERS presented by Alex LaRotta
Переглядів 60Рік тому
The Association for Recorded Sound Collections presents the following program from its 2012 ARSC Annual Conference at Rochester Radisson Riverside, New York on Friday May 18, 2012: TEX-MEX RECORDING PIONEERS presented by Alex LaRotta This presentation will focus on the Tex-Mex recording pioneers that forged the “Tejano” record industry following America’s post-World War II economic boom, indepe...
ARCHIVING AND PRESERVING THE ENDANGERED ARCHIVES OF THE TWENTIETH CENTURY IRANIAN PERFORMING ARTS
Переглядів 64Рік тому
The Association for Recorded Sound Collections presents the following program from its 2012 ARSC Annual Conference at Rochester Radisson Riverside, New York on Friday May 18, 2012: ARCHIVING AND PRESERVING THE ENDANGERED ARCHIVES OF THE TWENTIETH CENTURY IRANIAN PERFORMING ARTS presented by Jane Lewisohn, SOAS, University of Londong In this presentation I will highlight some of the challenges f...
GENTLEMEN IN THE WHITE HATS: THE KMBC-CBS TEXAS RANGERS by Sandy Rodriguez and Kelley Martin
Переглядів 109Рік тому
The Association for Recorded Sound Collections presents the following program from its 2012 ARSC Annual Conference at Rochester Radisson Riverside, New York on Friday May 18, 2012: GENTLEMEN IN THE WHITE HATS: THE KMBC-CBS TEXAS RANGERS presented by Sandy Rodriguez and Kelley Martin, University of Missouri - Kansas City Starting in the 1920s through the late 1950s, Kansas City-based broadcastin...
FLOUR/FLOWER POWER: ROCHESTER'S MUSIC FROM JENNY LIND TO GEORGE EASTMAN presented by Gerry Szymanski
Переглядів 29Рік тому
The Association for Recorded Sound Collections presents the following program from its 2012 ARSC Annual Conference at Rochester Radisson Riverside, New York on Thursday May 17, 2012: FLOUR/FLOWER POWER: ROCHESTER'S MUSIC FROM JENNY LIND TO GEORGE EASTMAN presented by Gerry Szymanski As one of America’s first boomtowns, Rochester expanded at a rapid pace after the completion of the Erie Canal. B...
A RAPID AND NON-DESTRUCTIVE PRE-PLAYBACK TAPE DEGRADATION IDENTIFICATION METHOD
Переглядів 102Рік тому
The Association for Recorded Sound Collections presents the following program from its 2013 ARSC Annual Conference at Marriott Country Club Plaza, Kansas City, Missouri on Thursday May 16, 2013: A RAPID AND NON-DESTRUCTIVE PRE-PLAYBACK TAPE DEGRADATION IDENTIFICATION METHOD presented by Eric Breitung, Samantha Skelton, Brianna Cassidy, Lu Zhenyu, Juan Rodriguez, and Stephan Morgan, Library of C...
CASSETTES AND COMMUNITY: THE LIFE OF MORÓN'S "FIESTA TAPES" presented by Joshua Brown
Переглядів 28Рік тому
CASSETTES AND COMMUNITY: THE LIFE OF MORÓN'S "FIESTA TAPES" presented by Joshua Brown
NOT JUST TALKING TO MYSELF: STUDS TERKEL'S MUSIC INTERVIEWS by Karen Fishman and Maya Lerman
Переглядів 58Рік тому
NOT JUST TALKING TO MYSELF: STUDS TERKEL'S MUSIC INTERVIEWS by Karen Fishman and Maya Lerman
FROM AUDIO HOUSE TO THE ROUNDHOUSE: PROFILING UNIQUE COLLECTIONS REQUIRING DIVERSE SOLUTIONS
Переглядів 20Рік тому
FROM AUDIO HOUSE TO THE ROUNDHOUSE: PROFILING UNIQUE COLLECTIONS REQUIRING DIVERSE SOLUTIONS
EARLY BIRD: THE LIFE, CAREER, AND RECORDINGS OF CHARLIE PARKER IN KANSAS CITY by Chuck Haddix
Переглядів 125Рік тому
EARLY BIRD: THE LIFE, CAREER, AND RECORDINGS OF CHARLIE PARKER IN KANSAS CITY by Chuck Haddix
SURVEILLANCE TAPES FROM THE ALABAMA CIVIL RIGHTS MOVEMENT presented by Barry Kernfeld
Переглядів 38Рік тому
SURVEILLANCE TAPES FROM THE ALABAMA CIVIL RIGHTS MOVEMENT presented by Barry Kernfeld
EUGENE GOOSSENS: CONDUCTOR OF THE FUTURE presented by Dennis D. Rooney
Переглядів 90Рік тому
EUGENE GOOSSENS: CONDUCTOR OF THE FUTURE presented by Dennis D. Rooney
CIVIL RIGHTS COLLECTIONS THEN AND NOW IN THE AMERICAN FOLKLIFE CENTER AT THE LIBRARY OF CONGRESS
Переглядів 16Рік тому
CIVIL RIGHTS COLLECTIONS THEN AND NOW IN THE AMERICAN FOLKLIFE CENTER AT THE LIBRARY OF CONGRESS
REMEMBERING DAVID HAMILTON: 1935 - 2013 presented by Seth B. Winner
Переглядів 51Рік тому
REMEMBERING DAVID HAMILTON: 1935 - 2013 presented by Seth B. Winner
THE GUYANA NATIONAL MEDIA ASSESSMENT PROJECT: AN OVERVIEW presented by Eddie Ashworth
Переглядів 25Рік тому
THE GUYANA NATIONAL MEDIA ASSESSMENT PROJECT: AN OVERVIEW presented by Eddie Ashworth
DOC WATSON'S EARLIEST RECORDINGS AND THE CREATION OF A FOLK MUSICIAN by Gary R Boye
Переглядів 192Рік тому
DOC WATSON'S EARLIEST RECORDINGS AND THE CREATION OF A FOLK MUSICIAN by Gary R Boye
TALKIN' 'BOUT MOJO: PRESERVING THE 1969 ANN ARBOR BLUES FESTIVAL by Parker Fishel, Sophie Abramowitz
Переглядів 44Рік тому
TALKIN' 'BOUT MOJO: PRESERVING THE 1969 ANN ARBOR BLUES FESTIVAL by Parker Fishel, Sophie Abramowitz
THE UNKNOWN NADIA BOULANGER: RECORDINGS FROM CRANE SCHOOL OF MUSIC ARCHIVES presented by Gary Galo
Переглядів 42Рік тому
THE UNKNOWN NADIA BOULANGER: RECORDINGS FROM CRANE SCHOOL OF MUSIC ARCHIVES presented by Gary Galo
Some information should be available to the public. Particularly audio mastering and preservation.
Highland Park is on the east end of Pittsburgh.
My heart broke when I heard, "We're not gonna play the whole thing". By all means play it, it's the chance of a lifetime for listeners.
Very interesting. Quite sad that these now historical treasure are not made accessible to us, the African /Black communities here in Germany. I wonder whether the institutes where these recordings are archived & the academics would be interested in cooperating with us
Highland Park is on the east side not the north side, in case you have time to correct for your book. Best of luck with the project and thanks for educating us.
I was named after the great Russ Columbo songwriter L.Russell Brown
Thanks a lot. So little seems to be available on the Great Mr. B. This filled in quite a lot I had wondered about, since I am a "Big Fan."
1:18:20
He was a true artist, his voice and the music was his canvas. They came with their harassment, but another brother came and pulled his slack, headed them off at the pass. He was the real deal, he didn't need the plastic of Hollywood.
Arthur Briggs
amazing to hear Doc playing electric
I'm disturbed by some of the terminology and value judgments of the presenter. For instance, what is a "shuck-and-jive" singer? And why disparage the quality of early Black cinema? Black filmmakers used whatever resources they had at their disposal. Be happy that the footage exists, and save your critiques about the acting, film quality, etc. And it's awful that he included that insulting white parody of Mr. Eckstine. Disappointing and disrespectful to this great artist. What could have been an excellent lecture fell flat with such a sour narrative.
the victrolla i inherited came with a ton of polish polka music and today it sounds like the sounds of hell to me. no idea what it sounded like when it was first released, but god damn.
i just figured every kid probably had a version of these growing up
Excellent information! A couple of times you took my breath away. I am a lover of MJH and his music. He's a mentor of mine.
I had heard the story of someone, you say Tom Hawkins, going to discovery John still in Avalon during the Blues revival. The person who told the story gave a humorous twist to it. He said, the guy at the gas station was asked, "do you know Mississippi John Hurt?" He said "yes." The next question was, "is he still alive?" That question through him a little bit, to which he answered, "I don't know." Next question, "when was the last time you saw him?" Answer, "he was in here this morning....But he's old."
Excellent
Great presentation. However, I must respectfully disagree with Mr. Ratcliffe's interpretation at 22:47. I think what Jessie is saying at the start of the tape is "You ain't supposed to pat your feet loud John, you just make a motion with your feet"...to which John answers something to the effect of "I forgot that".
A jewel
Thank you Dr. Burford for pointing out that Apollo Records was also going to take Ms. Jackson along the more pop-styled musical route. Fans often like to call her Apollo records the “Black Mahalia” and CBS as the “White Mahalia”. Bess Berman was heading where George Avakian took her and you can tell that from Mahalia’s 1953-1954 Apollo sides.
Excellent information !! Thanks so much for this !!
In 1992, Topps magazine published its first advertisement. It was for a tape cassette recording of the Pathe 78rpm record "Babe Ruth's Home Run Story". Having heard the recording and knowing that the statements in the advertisement that the voice on the record was that of Babe Ruth were false, I wrote a letter of complaint to Topps magazine. I was immediately contacted by the advertiser who threatened to sue me.
At the time KHJ assembled the original 48 hour HRR, little serious study of rock and pop history had been done. Joel Whitburn would not start publishing his Billboard chart books until 1970 and little accurate data could be pulled at the time from teen fan magazines like "Flip" and "16." That helps explain why the KHJ production, impressive at the time, was actually packed with factual errors, poor judgement calls and chaotic organization. In 1976 Bill Drake hired me to update the 1969 production by tacking on a few more hours, but after reading over the KHJ script I told Bill I'd rather rebuild the entire HRR from scratch -- reformatting it and working in both accurate historical data and loads of new hitmaker audio interviews. Bill agreed and two years later I had created the Billboard award-winning 52 hour all-new "History of Rock 'n' Roll," which ran on more than 1000 stations worldwide. I had left Bill's employ by 1981, when the so-called "Silver Anniversary" edition of the HRR was released. It mostly cut the pre-Beatles history (!) and the bulk of what was left was a hack-edited cut-down of my 1978 production. The cuts were made to make room within the 52 hours for full hours spotlighted such then-hot "rockers" as Dionne Warwick -- who told me herself, "I never cut a rock 'n' roll record in my life." Today I own the "History of Rock 'n Roll" trademark and write and produce the weekly two-hour "History of Rock 'n' Roll with Wink Martindale" radio series syndicated by United Stations in North America and Radio Express throughout the rest of the world.
J. Wesley Jones was the guest conductor of the mass community choir of 500 African American voices at Cincinnati's second "Festival of Negro Music" on June 24, 1933, at 5 p.m. in Eden Park. This was the progenitor of the annual June Festival in Cincinnati from 1938 to 1952.
Honestly, I don't think people recognise how absolutely amazing this really is. This music would for the most part be completely lost but digitising them I have enjoyed and discovered so many beautiful and new songs. Excellent work from all those involved.
Album Oriented Rock on FM stations like 94.7 KMET and 95.5 KLOS (which is still going strong) eventually put a end to top 40 AM stations like 93.KHJ.
GREAT KOREAN EMPIRE!
What a great presentation!! Hoek is a good speaker.
Love your channel, but if you could, please center the sound. I get sound only from the left channel on every video. Its a bit disorienting to listen to.
Thanks so much for this upload. Great presentation and confirmed a lot of things I've learned from John M Worams book.
An amazing voice. in an era of fabulous voices, his was one of, if not THE best. He had everything. Until that photograph. It didn't ruin his career but certainly damaged it. Heartbreaking.
Very insightful dialogue, thank you!
RELATED TO the King rec artist of some 30 lps ??
PELOTE in finnish means DETERRENT 🇫🇮
GOT,THE,LEADBELLY 1 near mint
I heard the masters for listen to me was stolen the night baby O.D.' There is a link between the instances.
Impressive. I have a Korean 78 rpm Victor (but it's much later) 49440 (8517/8518) recorded at Tokyo ca. September 1936. I found this disc ... in Estonia (Tallinn)
Thanks for a smart and perceptive presentation on the original version of The History of Rock & Roll.
The planted question at the end LOL!
"Here is a word from our[1969] sponsors"14:11even the vintage commercials are here!
Curtis Mayfield stole that the night huey overdsed and died from my research 😢 smh... the band and studio musicians never saw a dime just the scum who stole it... disgusting
Please do a full documentary of this…
Great information! Thank you for sharing!
Crazy: Aaron Cohen is a Jew... talking/condemining 1960s racial/segregation laws USA... While to this day 28 October 2023.. Israel, his own people land/country, is the last strill standing APARTHEID STATE.... with segregated towns in and outside Israel.. with daylabor passes... bundled up stolen property/land owners last 2000 years of Palestine... with no financial compesation and be bombed by IDF... Palestin babies in their beds/cribbs. I dont get it with these Jews... Outside israel they endorse multicultural, but back home they have best controll surveillance system to keep 'others' out. Espacially if u read Thora/Talmud u will find sentences of all non jews being animals compared to jews... There is no love described for 'others'in those jewish books... compared to bibel and or Koran. Its cringe, in this video, that a Jew with this information all above is speaking of a person/story about racism. Jews talk jibberish outside of israel... They pretend to fight racism while at same time have still apartheids regime in place back home... These people suck and misusing Baby Huey story and plight.. for false identificating with it which is completely absurd.
Thanks for sharing love the record. Good to hear the backstory behind the band
FINISH WHAT YOU STARTED BY VAN HALEN…is soo Western Swing…just listen to it carefully…100%
Lol at the 'planted' question at the end..!
when i hear inch, it scratch my head. you know, USA supports the ISO conventions. and you, as an credible Association should to. just use metric. and re upload the video. thank you.
B was the greatest singer out there and NONE of them could touch him but RACISM play a big part in it because those white girls went crazy over him,and that's the part they won't talk about. He should have been in motion pictures, WORD
Thanks so much! It's hard to find reliable, credible sources on this subject.